Masculine/Feminine (part 3) Master is back

From Master:

In the two previous posts, dievca and I have tried to show how difficult it is to put someone’s sexuality into a particular box. But what about D/s? How does that play into it?

As you’ve seen, dievca’s presentation outfits are usually “hyper-feminine.” Master prefers that and dievca enjoys planning a particular costume.

And “costume” is a relevant word for this because Master wouldn’t want – or expect – dievca to be wearing a latex skirt on the subway.

The costumes are a form of play that is part of a general moment when both Master and dievca express the masculine/feminine aspects of themselves.

 

dievca:

Hmm–there is a big difference in dievca from “before Master” and “after Master”. she’s found that she no longer worries about being too masculine or too feminine.  she is just herself.

Within D/s,  dievca was given permission to be hyper-feminine for Master. she delights in dressing for Him and leaning towards the 1950’s Household Kink (works with her curves, nicely). Finding feminine outfits and wearing them to be admired by Master (and others) is an aphrodisiac in of itself. But, Master really likes when His dievca changes it up, too.

So as she write this post, dievca realizes how lucky she is ~ Her Master has His preferences, but He cherishes diversity more and that allows dievca to hold on to her Masculine side.

What changed with their relationship was that she had been given permission and the opportunity to explore her Feminine side with a strong Man. It worked because her Master cherishes both aspects of His dievca’s sexuality.

In the end, you cannot really define or limit Master’s expression of sexuality, nor dievca’s.

They have the gift of being comfortable with themselves all along the sexuality spectrum.

PS. Umm, Master? BTW. dievca is actually considering wearing one of her latex skirts on the subway — not in the BDSM form, but as a part of an outfit. diversity….is that o.k.?
Or might that be a dievca disaster?

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