Two aspects of Nature can be very Raw: Weather and Sex
Both are tied to the Seasons
dievca has been dealing with Weather for the past 3 days.
she would like to move her attention to Sex
Yes, Sex can be gentle and loving. It can also be harsh and demanding.
In BDSM there is always the elements of domination and submission
surround by messy, earthy, direct and indirect actions.
Man Ray captured what dievca is desiring with his work for the Seasons.
Models: Man Ray and Kiki de Montparnasse
When the Brussels-based art magazine Varits was unable to pay a printers’ bill in 1929 it was suggested that they publish an erotic edition to raise working capital; Louis Aragon approached Man Ray for some photographs to include in the volume, and was presented with a sheaf of closely cropped pornographic prints featuring a couple widely assumed to be Kiki Montparnesse and Man Ray himself. The edition was entitled simply 1929, and some 500 copies featuring four of the photos were printed. Most of them were promptly seized by French Customs, but the few copies that got through were soon on sale clandestinely in Paris at greatly inflated prices. (1929, by Benjamin Pret, Aragon and Man Ray is currently published by Alyscamps Press, Paris & London, ISBN 1897722 885).
(click here for the History of the photos via the Tate Modern 2003 article)
Hmmm — it looks like a NYC Subway Map, but that shape and color is…
Hah! a Penis!
Manhattan Island does look like a Penis!
It is different and risqué….I like it.
Artwork on Auction from Shop Housing Works NYC (click here)
Auction ends in about a week.
* Printed poster cut and inserted into CD cases
* Signed on back
* Appears to have been assembled by hand
* Edition 28/100
* Great condition
Add a little Hot Rod Art to you walls. dievca thinks the work was done for a San Diego punk band “Rocket from the Crypt” performing at the Whisky-A-Go-Go in Hollywood.
The LUSH curves made her smile!
(click on the Lot Id # for the auction, ending on Sunday evening)
* Serigraph on paper
* Edition: 152/1500
* Signed on lower right
* Mounted on linen
* Shows light signs of wear with some scuffing and pin holes to linen corners
Coop, real name Chris Cooper, is a hot rod artist working from Los Angeles. He was born in Tulsa, Oklahoma in 1968, and describes his occupation as “Insensitive Artiste”. His work consists primarily of barely clothed Bettie Page-style 1950s soft pornography and/or B-movie monsters, with the female characters often taking the role of “Devil-Women”. The image most often associated with his work is however slightly more tame: the face of a grinning devil with a smoking cigar clamped in its teeth.
Coop has become popular with certain bands and labels and has provided art for several Sympathy for the Record Industry releases as well as the posters for Reverend Horton Heat, Lords of Acid, Green Day, Nirvana, Soundgarden and The Foo Fighters.
Coop is an avid hot rod enthusiast and well-known amongst the Kustom Kulture community. He makes an annual appearance at the Mooneyes Xmas party. He released a book in 2001 called Devils Advocate: The Art of Coop. In 2004 he released The Big Fat One, containing 1008 pages of collected sketches, and has recently formed a collaboration with Hot Wheels to sell a series of miniature “Coop-Customized” hot rods.
Charis Wilson, the model for this series, admitted to being shocked upon seeing Weston’s nudes for the first time, as she had previously known only the romantically retouched photographs of bodies then popular. In studying Weston’s work she found, “I couldn’t get past the simple amazement at how real they were. Then I began to see the rhythmic patterns, the intensely perceived sculptural forms, the subtle modulations of tone, of which these small, perfect images were composed. And I began to appreciate the originality of the viewpoint that had selected just these transitory moments and made them fast against the current of time.”
Bill Brandt was born in Hamburg, Germany on 3 May 1904, into a wealthy family of bankers and merchants. He spent his early years in Germany, and then, as he suffered from tuberculosis, at sanatoria in Switzerland and Austria. He moved to London in 1933 and, by the time of his death in 1983, had transformed himself into a quintessential Englishman the result of a lifetime trying to bury his roots. He had also become world-famous for his highly idiosyncratic photographs.
Thank you to Beetles + Huxley
dievca and Master have tried to change it up on dates. The Ranger’s Game, Chinatown wandering and, now, the Museum of Sex.
We expected tackiness and Master had read at one point the Museum was to close down, but it seems like they raised the prices ($17.50 online, $19.50 offline for tickets) to keep the Museum in its space.
Location: dievca was to meet Master in the front of the Museum at 3:00 pm and she kept looking up the address on Google. Google wouldn’t keep a history of the name/address, so she had to keep typing it in.
233 Fifth Avenue at the corner of East 27th Street in Manhattan
dievca waited on the Street Corner for Master in her vintage Leopard Coat, triple XXX Agnes b. dress and thigh-hi patent leather boots. An homage to their experience.
Master had come from working and was in a button down shirt, brown corduroys, Brooks Brothers Cashmere coat and NO GLASSES! His eyes were settling from cataract surgery.
After bypassing the Toy store in the front of the Museum space, dievca and Master entered the Disco! Night Fever: New York Disco 1977–1979, The Bill Bernstein Photographs
The space was an immersive experiences with a lounge set-up, photographs on the wall, disco soundtracks and full bar. Master had a flashback of driving a taxi in the City, picking up fares at the Clubs. The bathrooms had frosted sink windows, a non-functional “two-way” mirror at the toilet and hand holds for sex on the walls. Plus, a beefy bouncer on site.
OK-kinda fun and listening to Master’s flashback of Memories. Cool.
Up the stair we went and the first show: OBJECTXXX: SELECTED ARTIFACTS FROM THE MUSEUM OF SEX ARCHIVE. It was a messy, scattered collection of “erotic” pieces dumped together with no real rhyme or reason. For an extra $3.00 you could hop into the Bouncy Boobies room. Not something that was even considered with Master’s recent surgeries.
dievca’s thought was “Oh, shit – this is going to be tedious.”
dievca and Master continued on to the The Sex Lives of Animals. An exhibit trying to show the uncensored story of various animal mating and life practices. Some interesting information was offered, but dievca felt it was something that could be looked up on the internet. A better exhibition than the floor below, but not stellar.
Things are getting more interesting.
dievca has never watched a Pornography Movie — she’s watched the elegant Blow Job videos as a tutorial, early in her relationship with Master. But, “Debbie Does Dallas” or “Deep Throat” ? Nah.
The next gallery was about Pornography in photos, and film: HARDCORE: A CENTURY & A HALF OF OBSCENE IMAGERY
The layout was much more comprehensive and took you though the development of photos/postcards showing French prostitutes with their striped stockings up to the mainstreaming of pornography with “Deep Throat” in 1972. The point being that pornography was alive and well throughout the Centuries, not just a recent development with DVD’s and online activities.
Aha! the last exhibition, I think we hit the jackpot!
Known/Unknown: Private Obsession and Hidden Desire in Outsider Art
The art in Known/Unknown is a long way from the typical art world. Many of the artists in the exhibit are self-taught, with little formal education, and range from institutionalized mental patients, to intellectually disabled people, to untutored isolates and eccentrics. Their pieces were often created in seemingly unlikely places; ranging from the sanctuary of psychiatric hospitals to private realms hidden within the lonely, impersonal jungles of teeming cities.
The exhibition offered glimpses into people’s minds and hearts from their private viewpoints of erotica and sex. Secrecy and isolation fueled a unique creativity.
Master and dievca enjoyed this exhibition very much. The room was empty, almost if it was too much for people to handle. The work was evocative.
dievca’s favorite piece/collection was from a Milwaukee, WI “outsider artist”, Eugene Von Bruenchenhein. His erotic photographs of his wife Marie are stylistic reminiscent of the 1940’s black and white pin-ups. They convey the love and playfulness between the photographer and his muse that is titillating and profound.
Now this last offering made the trip worthwhile!
dievca had plans to see a certain Art Exhibition in ‘s-Hertogenbosch this Spring. Scheduling got in the way and she missed the exhibition. Instead, dievca made her way to the Rijksmuseum for another Art Installation and ran into a few unexpected surprises.
One surprise was:
All of George Hendrik Breitner’s versions of
Girl in a Kimono
together for the first time
The countless versions of a girl in a kimono, which is considered an icon of Japonism, emerged between 1893 and 1896. Young model Geesje Kwak posed for almost all of his paintings, being immortalised in the process. Based on new research, the exhibition displays the full series of 14 paintings for the first time, including a hitherto unknown ‘Girl in a Red Kimono’ from a private collection. Besides the paintings, there are also drawings, sketches and photographs used by the artist in preparation.
dievca was entranced! How elegant, sultry, beautiful. How simple to present:
dievca may not be able to afford to buy a real Kimono — but the effect (a poor 2nd) could be reproduced for Master in an elegant way with a Silk Robe. So, dievca went digging in her closet and here’s what she found to Present in:
All three robes have a different look or feel — but they should be fun to work with in developing Presentation Outfits. What is in your closet for presenting to your Sir or Madame?
(Photo Gallery: dievca Rijksmuseum May 2016)