dievca ran into a collection of leather goods from Todd Pendu & Zana Bayne called, “Magnum Opus” SS14. she purchased two items: a bracelet and a necklace which she modified slightly to make it a leather collar. How? she added holes at the buckles to tighten it and removed the attached triangle piece so Master could attach His lead.
The term “Post-Fetish” was coined by Todd Pendu as “decontextualizing traditional fetish gear into aesthetic accessories to be incorporated into everyday wear”.
Originally, dievca was focused on the person in the co-collaboration whose name was on the worked leather, Zana Bayne. But, she starting looking deeper into the gorgeous work of co-Creative Director, Todd Pendu after viewing some of his photographs.
Paz de la Huerta, lensed and styled by Todd Pendu
All wardrobe from the Zana Bayne “Moonbathers Collection”.
Shot in Los Angeles, August 2016
Todd Pendu is a multi-disciplinary artist and image-maker currently living and working in NYC and Los Angeles. PENDV JOURNAL is an online platform and portfolio for his creative projects and art/photographic works. He is the founder of DEVIL’S WHOREHOUSE STUDIO. He is also co-Creative Director at ZANA BAYNE.
Email: info @ pendvjournal . com
“I am a self-described ‘Duchampian Punk’ and a proponent for Libertine Culture. I work independently outside the Establishment. My art doesn’t always fit in to convenient aesthetic categories. I’m interested in personal freedom and expression. I do what I want. I create for those outside society – for those who live by their own rules – not for everyone, but for everyone else.” – Todd Pendu
Cheyenne, lensed by Todd Pendu
Shot in an apartment in Paris. March, 2017.
Todd Pendu is a multi-talented person who is able to walk the edge and create elegance. dievca would like to Thank him for allowing her to share some if his work. Please stop by His site and wander.
“Exhausted and alone, my resources are gone, I need your strength to carry me on.”
The original was slated for a charity auction benefiting women’s shelters. The auction was canceled by the organizers making it available. It is matted (3″)and signed by myself and the model. Click here to purchase.
A low-key lighting set up of Keira Grant in an emotive artistic nude pose.
A fun way to investigate the neighborhoods of NYC would be to find the local Coffee Shops that are original to the City. dievca is sure it would be tricky and take a lot of planning + subway travel, but perhaps using these coffee cup posters from Knowlita would help:
Posters of the Coffee Cups of NYC, Knwolita and Henry Hargraves and Massimo Mongiardo
Hmmm, dievca just figured out that we will have to use the digital options as a guide because the limited edition prints are sold out…bummer.
Like a lioness couchante,
sated, yet stimulated
“Female Nude Lying Down” Sanguine and white chalk on cream-colored paper Eric Bossik
click the graphic for the website
* Lithograph on thin, fibrous handmade paper
* Signed in pencil at lower right
* Edition 10/30
* Print is impressed into rag paper, creating a seamless appearance
* In metal frame, behind glass, wired for hanging
* Light wear
Auction ends on Oct. 25th, 10 pm EST
the sundeck would be jammed.
Not a bad place to take a good beer, right?
Château de Caen – William the Conqueror built the Castle c. 1060
Then dievca spotted this at the supermarché…what?
“Sex in a Canoe” Beer
(all the way from outside Dallas, Texas)
Photos: dievca 08/2018 Caen, France
A comprehensive body of work, Graff’s Constriction series began in 1991. Much of the series was photographed over an intensive two-year period (1991-1992), after which the series was revisited in 2013.
In Constriction, we discover nude figures bound with ropes. Their bodies, partially concealed, are meticulously wrapped in a manner reminiscent of the ancient Egyptian mummy wrap technique. Captured in raking light, the bodies appear incomplete, resembling at times heavy stone sculptures.
The eroticism of a rope-tied nude figure has appealed to many artists in the past. Man Ray’s 1936 Venus Restaurée, a precursor to Graff’s work, binds a classical armless female nude with rope. However, Graff’s nude figures are too complex to be interpreted as mere sexual fantasies. Graff’s subject matter stems primarily from his fascination with the ritual of binding body parts found in various indigenous cultures.
Another source of inspiration for Graff is the escapologist and stunt performer Harry “Handcuff” Houdini, who would often volunteer to be bound and chained on stage before performing a miraculous escape. This theatrical element is alluded to in Graff’s studio set, which often incorporates a painted canvas backdrop reminiscent of a Victorian stage or sideshow backdrop.
Graff’s bound nude figures offer many potential interpretations, making the Constriction series a dynamic, dramatic, and timeless body of work. ~ Todd Merrill Gallery
SEE MORE and PURCHASE HERE